A Midcentury Modern Home in Los Angeles Returns to Its Roots (2024)

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For a home in L.A.’s leafy Mandeville Canyon, it took new owners with a passion for storytelling to reveal its best attributes, which were covered up by unfortunate ’80s renovations. This pursuit drove documentary director Lacey Uhlemeyer and her engineer husband, Rendell Johnson, to do a historical deep dive into the fundamental designers and destinations that embody their home’s 1959 roots. “As an avid traveler, having midcentury-modern pieces that span from Denmark to Mexico to Brazil to the U.S. feels really exciting,” Lacey says. She calls out a 1960s Baldwin piano, Brazilian Jangada lounge chair, Mario Bellini couch, and live-edge burl coffee table that together spark a warm, worldly energy.

BEFORE: Past owners had painted over the natural wood ceilings and beams, and covered the original brick fireplace, moves that disrupted the home’s strong connection with the outdoors.

AFTER: “My favorite space is the living room,” says Lacey. “I love listening to records, put my feet up on the burl wood coffee table, and read on the couch while looking out at the view.”

But the homeowners didn’t take on the renovation and reimagining of their 2,418-square-foot abode alone. One of Lacey’s best friends, fellow storytelling commercial director and designer Claire Thomas, led the interior design project, with Rendell lending a hand on a personal hobby, carpentry. “It is incredibly surprising I fell so deeply in love with the house from the initial listing photos,” says Lacey. “What I did see beyond the chocolate brown painted ceilings and stone tile bathrooms was a really special post-and-beam architectural treehouse with floor-to-ceiling windows that invite in the gorgeous, protected canyon views.” Claire and Lacey made it their job to return the home—originally designed by surfer-turned-architect Matt Kivlin—to its true nature.

AFTER: “From a layout perspective, opening it up was a no-brainer,” says Lacey of the kitchen, which now flows into the dining and living spaces, complete with a fireplace that pays homage to the original with glazed brick-like Fireclay tile. “What’s special about the house are the views, and everything should be celebrating those. Now we can be cooking and looking out at the old sycamores and oaks, or catch deer coming down the hillside.” The family’s new kitchen features a Concrete Collaborative waterfall terrazzo counter with white oak cabinets painted a custom ochre color by Reform.

The late ’50s, to Claire, evoke earthy California tones of marigold and avocado. And indeed a green, brown, yellow, and orange palette was solidified early on when she won at auction a series of vintage Swissair posters depicting diverse aerial landscapes in those colors. “They connected with that overall aesthetic we were trying to hit—really earthy California canyon, late ’50s, early ’60s references with world traveler energy,” says Claire.

AFTER: The dining room turns a classic midcentury silhouette on its head thanks to Folk Project’s vintage dining chairs, which are upholstered in Guatemalan huipils. Stripping the ceiling beams of their dark brown paint breathed new life into the open-plan living space embraced by foliage.

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Material choices—plush carpet, terrazzo, and glazed tile—were designed to ground the home in a specific time and place, while also replacing generic additions that covered key design details. One of the biggest challenges was removing paint from original timber ceilings, posts, and beams. “It’s heartbreaking to try to restore a home to its original vision and realize there is only so much sanding you can do before you hurt the integrity of the wood,” Lacey says. The fireplace of long, thin brick had been plastered over with an adhesive that could not be undone, so instead they paid homage with linear, brick-like Fireclay tile.

BEFORE: The long, narrow primary bath posed a challenge, but the high windows were a plus since they let in beautiful light while retaining a feeling of privacy.

AFTER: Fitting a “gorgeous tub moment” into a long, skinny primary bath meant a full wet room with a large shower and “over-the-top fabulous” Japanese-style hammered copper Signature Hardware soaking tub that Claire says is like a complete spa experience. “It’s the perfect place to reset after a day of hiking and being outside,” adds Lacey.

AFTER: They chose a deep green tone to draw in the hillside beyond the windows, rendered in rich Concrete Collaborative terrazzo with matching Fireclay tile and Reform cabinets.

Lacey’s original plan was a surface overhaul, but once the trio dug in, they saw the potential in a layout change. “We realized that opening up the kitchen, adding a guest bathroom, and doing a complete primary bath overhaul could make the house really special,” she says. Adding a generous wet room in sumptuous hunter green terrazzo and matching tile with a hammered copper Japanese-style soaking tub transformed the bathroom from awkward to certifiably dreamy.

BEFORE: To Claire and Lacey, a closed-in kitchen didn’t make sense in a glass house where views are everything. “I think it was someone overvaluing upper cupboard space,” laughs the designer, adding that the post-renovation kitchen actually has the same amount of storage.

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AFTER: In the kitchen, Claire and Lacey opted for classic 3x3 Fireclay tile for an authentically midcentury canyon look, with mirror-like platinum glass Cafe Appliances that reflect the surrounding trees and light. The shag carpet in the loft is like “a wonderful ribbon of green floating through the house,” according to Claire, and created a highly functional family space for play and music.

There’s copious custom terrazzo by Concrete Collaborative throughout the home—including the goldenrod-hued waterfall kitchen counter—which Lacey says “isn’t only something that speaks to the era of the home but also to the surroundings, nestled in nature and boulders.” They were meticulous in ensuring the aggregate had a grounded, organic quality to it as opposed to a confetti effect. White oak paneling and floors also bring the outside in. “Guests have commented that the kitchen makes them happy,” says Lacey, “which is exactly what we want out of every nook and corner of the house!”

BEFORE: The loft’s previous iteration didn’t utilize the interesting elevated space in a very compelling way.

AFTER: The loft is Claire’s favorite space in the home, thanks to the green shag carpeting that “you haven’t seen since the ’60s. It’s such a vibe.” Also in the space: Joybird’s Eliot chair, a goldenrod Mario Bellini sofa, a Brazilian lounge chair from 1stDibs, vintage travel posters found at auction, and a C. Jeré wall sculpture above a midcentury Baldwin piano.

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AFTER: “There are all these textures throughout the house that harken back to Lacey’s personality as a world traveler and storyteller,” says Claire.

“Whenever I do a friend’s house, I think of them like a character in a movie, imagining them in the space,” Claire says. “Lacey is such an incredible collector; she has all these fabulous stories and journeys she’s been on.” And anyone walking up the terrazzo staircase instantly knows this is the home of a globally minded family. Evocative furnishings—such as vintage dining chairs reupholstered in handwoven Guatemalan and Mexican huipiles, a Peruvian tapestry, and a pair of Ib Kofod Larsen lounge chairs in a retro Pierre Frey fabric—nod heartily to jetsetting adventures and travel tales. Pops of fun evoke the owner’s colorful disposition, too—see the velvety, kid-friendly green shag carpet in the loft. “This project was an opportunity to showcase that part of her personality,” says Claire. “And it melded really well with the design of the home.”

AFTER: L.A.-based artist Priscilla Witte, a close friend of Lacey’s, painted a cheeky mural in the new powder room.

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The kids’ colorful bath has travel-themed accents and sorbet pink and marigold polka dot Fireclay tile.

A Midcentury Modern Home in Los Angeles Returns to Its Roots (2024)
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